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The Last Refuge

Portsmouth Herald (New Hampshire)

Hamptons Noir, July 7, 2006
Reviewer: Lynn Harnett

In the first few pages of his second appearance (after "The Last Refuge"), Hamptons native and recent returnee Sam Acquillo nearly gets blown up while sipping Absolut on the deck of a dockside restaurant in East Hampton.

Sam's skills and powers of observation as an ex-boxer and engineer save him and his lawyer friend Jackie from the fate of the other patrons when a car bomb kills its target and five others. Alerted by the color of the roiling fire inside the car after the initial blast, he vaults the deck railing and manhandles Jackie to relative safety before a second blast - a lot stronger than the fire explosion Sam expected - all but vaporizes the fellow drinkers he'd been casually denigrating just moments before.

Sam, a bit of a brooder and misanthrope, doesn't like too many people but he's loyal to the few he calls friends. He's been back in the Hamptons for five years, licking his wounds and drinking to the sunsets over Little Peconic Bay behind the cottage his mean-drunk father built when Sam was a kid.

A couple months after the blast, with Jackie still undergoing surgeries to repair her face and Sam's hearing slowly returning, his cop friend Joe Sullivan asks Sam to help out in the stalled investigation. The dead guy was an investment analyst with a roster of fancy clients and Joe thinks Sam, with his corporate background and MIT education, might have a better idea what questions to ask than the local cops.

From the wealthy agoraphobic wife and her controlling lawyer to the unhappy mob-connected client and the flamboyant artist brother, Sam follows a few false leads and attracts a fair amount of violence before wisecracking his way to a clever conclusion.

The plotting and the dry, witty repartee evoke shades of Raymond Chandler while the glitz and grit of the Hamptons new and old provide a salty, vivid setting and Sam Acquillo is a likable fellow in his deadpan way. A must read for fans of noir and good writing.

 

©2009 Chris Knopf