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Two Time

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The Last Refuge

Dan’s Papers

TWO TIME, Chris Knopf

By Jennifer Hartig

In the opening chapter of Chris Knopf’s second novel, Two Time, the reluctant hero, Sam Acquillo sits patiently at a waterside restaurant in East Hampton, sipping his vodka on the rocks, waiting for his friend Jackie to show up. The people and surroundings are depicted with needle sharp precision - the white light clarity of detail that is etched in the memory just prior to a catastrophic event. Sam sees it unfold without fully registering the implications, until it’s almost too late. It is a stunning, disturbing opening

Two Time is a follow up to Knopf’s well received first book The Last Refuge, published in 2005 by The Permanent Press, about which Marilyn Stasio (New York Times) said: “the characters are such original oddballs and their conversation so bracing, you want to kick off your shoes and spend some time on the porch with them.” Most of the same cast of characters crowd into Two Time, with the addition of a gangster, his two meathead thugs, a wan, agoraphobic widow and an artist and his entourage who could give the word eccentric a whole other meaning, even in the Hamptons.

Lovers of the mystery genre have certain basic requirements: an authentic setting; a credible, intriguing protagonist; sharp dialogue and a rattling good plot to keep the pages turning. Knopf supplies all four in abundance. The idiosyncratic hero is Sam Acquillo, a man whose ambition it is to sit quietly in his Adirondack chair, his dog Eddie at his feet, watching the sun set over Little Peconic Bay, and focus serious attention on his vodka consumption. This laudable plan has a way of being interrupted by various murders or attempted murders. If it weren’t for his friendship with a few fellow locals, the town cop Joe Sullivan, the philosopher/bartender at the Pequot, Paul Hodges, and his old pal and lawyer Jackie Swaitkowski (my favorite from The Last Refuge) he might have been able to stay out of trouble but they, plus his insatiable curiosity, propel him to become mired deeper and deeper in the murder investigation.

One of the great pleasures of both books is the clever, staccato dialogue. Knopf has a pitch perfect ear and you find yourself smiling as you read the quick come-back lines. Another is that whatever Sam tackles, whether it’s an addition to the Little Peconic Bay cottage where he was raised, untangling the intricacies of complex financial transactions or tinkering with his 1967 Pontiak Grand Prix with a modified 400 cubic inch V8 (whatever that is) you have confidence that Knopf knows precisely what he is talking about. Sam is super observant: for instance he notices, on a visit to Riverhead, the miles of sod fields growing beside the highway, to be cut like huge tiles and laid square by square for an instant, perfectly even, green grass carpeting in front of wealthy new mega mansions. His description of a sail in Hodges boat is evocative but unsentimental: “the light delivered by the Canadian air was hard and brittle, but would deepen as the sun burned up and swept away the morning haze. The tall grasses that filled the marshland that bordered the pond swayed in the wind and the cormorants were lining up along the booms of the boats moored in the pond to dry out their wings and crap white graffiti all over the blue and tan sail covers.” He convinces you that he knows how to unfurl a jib, winch the halyard to raise the sail and make his way from Little Peconic Bay, avoiding the messy race around the tip of Jessup’s Neck, to bring the boat safely into dock in Sag Harbor. Anyone who lives or summers regularly in the Hamptons will recognize that his feel for the locale, from the beauty of the light filtered through the abundant foliage, to descriptions of an upscale art auction and also of rather rattier venues, is dead-on.

And then there’s Amanda, a cool, beautiful woman who Sam is crazy about but can’t quite trust. She hasn’t always been exactly above board. Is she two-timing him? Or does the title refer to some other situation. As the plot unfolds, it is up to Sam to fit the seemingly irrational pieces together. But he’s an old hand at solving problems and you can have confidence that however convoluted, he’ll unravel this one.

 

 

©2008 Chris Knopf